• LIGHT FRAGMENTS

    Hyunsook Jeong Solo Exhibition | 09/25 - 11/06/2026
  • Light Fragments

     

    BLANK SPACE NEW YORK presents

    Hyunsook Jeong Solo Exhibition| September 25, 2026 — November 6, 2026

     

    BLANK SPACE is pleased to present a solo online exhibition showcasing recent works by Korean artist Hyunsook Jeong.

     

    In Light Fragments, Jeong explores the boundary between modern geometric abstraction and Korea’s rich heritage of mother-of-pearl craft. At the core of her practice is the meticulous repetition of individual nacre fragments—hand-cut and set into precise grids, linear matrices, and iconic motifs like the Joseon-era Moon Jar alongside abstract compositions that transform repetition, color, and reflected light into shifting geometric fields.

  • Hyunsook Jeong, Before and After - 202401, 2024

    Hyunsook Jeong

    Before and After - 202401, 2024
    Oil, mother of pearl, crystal on canvas
    35 3/8 x 35 3/8 in
    90 x 90 cm
  • Hyunsook Jeong, Before and After - 201905, 2019

    Hyunsook Jeong

    Before and After - 201905, 2019
    Acrylic, crystal and Mother of Pearl on Canvas
    35 3/8 x 70 7/8 in
    90 x 180 cm
  • BEFORE AND AFTER

     

    "I love how people look at my works before and after — the layers of painted vases and moon jars covered by fragments of mother-of-pearl lines bridge what is traditional into the present." 

    — Hyunsook Jeong

  • BEFORE AND AFTER 'I love how people look at my works before and after — the layers of painted vases...

    BEFORE AND AFTER

     

    "I love how people look at my works before and after — the layers of painted vases and moon jars covered by fragments of mother-of-pearl lines bridge what is traditional into the present." 

    — Hyunsook Jeong

  • Hyunsook Jeong, Before and After - 202231, 2022

    Hyunsook Jeong

    Before and After - 202231, 2022
    Acrylic, crystal and Mother of Pearl on Canvas
    51 1/8 x 51 1/8 in
    130 x 130 cm
  • Material Precision

     

    Jeong’s process is rooted in meticulous handwork. Individual fragments of mother-of-pearl are cut, arranged, and assembled by hand, building surfaces through repetition and precise placement. Within the studio, this material process unfolds alongside painting—bringing traditional Korean craft, geometric abstraction, and the enduring form of the Moon Jar into a contemporary visual language.

  • Hyunsook Jeong, Before and After - 202607, 2026

    Hyunsook Jeong

    Before and After - 202607, 2026
    Oil, crystal, mother of pearl on canvas
    51 1/8 x 51 1/8 in
    130 x 130 cm
  • Rhythm & Light

     

    Each fragment acts as a micro-mirror, catching ambient light and scattering subtle, iridescent color across the canvas. The resulting surfaces function as dynamic optical structures—as light shifts and the viewer moves, these repeating geometric patterns refract color and luminance, transforming static compositions into evolving sensory experiences.

     

    Light Fragments offers an intimate look at how small, rhythmic details build into immersive architectures of light.

  • curatorial note

     

    "There is an otherworldly quality to Jeong’s work—a delicate synthesis of landscape and quiet figuration, where beneath shimmering veils of mother-of-pearl, intricate painterly nuances dissolve into pure atmospheric fantasy." 

    — Nana Lee, director

  • Hyunsook Jeong, Before and After - 202505, 2025

    Hyunsook Jeong

    Before and After - 202505, 2025
    Oil, mother of pearl, crystal on canvas
    28 3/4 x 35 3/8 in
    73 x 90 cm
  • CONTACT US

    Please email us at info@blankspaceart.com for any questions regarding this exhibition, other available works, or our art consulting/concierge service.

  • curatorial note 'There is an otherworldly quality to Jeong’s work—a delicate synthesis of landscape and quiet figuration, where beneath shimmering...

    curatorial note

     

    "There is an otherworldly quality to Jeong’s work—a delicate synthesis of landscape and quiet figuration, where beneath shimmering veils of mother-of-pearl, intricate painterly nuances dissolve into pure atmospheric fantasy." 

    — Nana Lee, director