Stoltzfus’ primary use of circular patterns excites and engages the eye, subtly changing as both the light and the perspective of the viewer moves. His paintings create an opportunity to slow down a bit, which can lead to seeing something unexpected. Both artists use repetition to create something new within each work and sequentially throughout the works presented in this exhibition.
The circular marks in Stoltzfus’ paintings are patterns that allow images to emerge and then disappear. This patterning resonates because it mirrors the physical structures of the eye in several ways. To expand these simple circular brushstrokes, he paints highlights and shadows around some of the circles. This creates a tromp l'oeil texture that can be touched only with the eye. Stoltzfus spikes some of his paint with raw pigment, while adding small amounts of gold leaf further develops its texture. Although the paintings are colored by the grit and glitz that surround him in Brooklyn, they remain ghosted by the rural Virginia landscape he knew as a child.
Randall Stoltzfus has shown at exhibitions from Virginia to New York City and as far away as Pyeongtaek, South Korea. He studied at American University in Washington, DC and has since received a number of fellowships and artist in residence awards. He was Artist in Residence in Perugia, Italy, where his work is in the public collection at the Centro Pari Opportunitá. Two of his paintings were selected for the art bank program at the DC Council of the Arts & Humanities in Washington, DC. Some of Stoltzfus’ most recent exhibitions were at the Union Theological Seminary, Great Pop-Up Art Sale and LIMN Gallery respectively in Manhattan, Brooklyn and San Francisco.